THIS IS GENDER (IN)EQUALITY 2023 


Welcome to a virtual exhibition of This is Gender (In)Equality 2023. This online collection seeks to shed light on gendered social issues through the lens of contemporary artworks. Spanning a diverse range of mediums, this collection focuses on the messaging of gender equalities and inequalities, offering a thought-provoking and visually captivating exploration of the subject.


Gender inequality marks one of the most pervasive and persistent patterns in the distribution of power. We see evidence of this, nearly invisible and overt, everywhere. Nearly 2.4 billion working age women live in countries that do not grant them the same rights as men, and this inequality appears to be worsening. In 2022, around the world, countries collectively adopted the fewest gender-related reforms in more than two decades while some governments made legal changes to strip women of existing rights, including freedom of movement and their ability to get a job. It will be nearly three centuries before women and girls are equally protected around the globe. Wars, famines and natural disasters have also had more severe impacts on the well-being of women. And the most recent report from Global Health 50/50, Workplaces: worse for women shows that despite progress on gender equality in organisations active in global health, male leadership pervades.


        
Global Health 50/50 is proud to use images from the This is Gender (In)Equality 2023 collection on the cover and inside the annual Global Health 50/50 Reports. Silvia Viana’s ‘Eyes Always Lie’ is on the cover of the 2023 report, Workplaces: Worse for Women.


A project of Global Health 50/50, This is Gender (In)Equality, aims to inspire as well as draw attention to pressing gendered struggles. The collection showcases artworks from all around the world, collating diverse representations of gendered power, relationships, and experiences: from the intimate sphere of body autonomy, to access to education and aspirations; from navigating care responsibilities to the professional environments of power and decision-making.


Through documentary photography, staged photographs, collages and various forms of fine art, the artists featured in this exhibition communicate multifaceted concepts. Each artwork serves as a powerful voice, inviting viewers to reflect on the complexities and nuances of gender-related experiences worldwide. From diverse geographical locations, representing the voices of people and communities from around the world, these images offer unique insights into the shared challenges and triumphs faced by individuals in different cultural, social, and economic contexts.


This 2023 collection prompts some critical reflections on gendered social issues and is also a celebration of gender and everyday life. We hope you enjoy the exhibition.




Nobody's Free Until Everybody's Free

by Lauren McLaughlin
Scotland, 2023


THE WHITE MAN’S BURDEN?

by Madeleina Kay
UK, 2020


THE HARBINGER OF ETERNAL DEATH IN TANGIER

by Christine Dixie
South Africa, 2023

LUNCHTIME DIRECTIONS

by Cynthia Eisenberg
Buenos Aires, Argentina, 2019




WAITING FOR MARRIAGE II

by Nnebuifé Kwubeï
Lagos, Nigeria, 2023




ACCESS W BANKING

by AyaworanHO3D
Lagos, Nigeria, 2023




CHANGE THE THOUGHT

by Shahriar Farzana
Bangladesh, 2023




ACOMPAÑANTAS

by Mahé Elipe
Tamaulipas, Mexico, 2023




/PƏˈFƆːM(Ə)NS/: A SILENT STORY TOLD, A STATEMENT, A PERFORMANCE

by Aljohara Jeje
Jeddah, Saudi Arabia, 2018




SUMMERTIME

by Ogorogile Nong
Midrand, Kyalami, 2020


REMAINS OF A HOME

by Trevor Coopersmith
USA, 2023



FREE CHILD CARE

by Mehreen Zain
Pakistan, 2023



MOTHER AND DAUGHTER

by Silvia Alessi
India, 2017

PLASTIC WORKERS
by Debdatta Chakraborty

Dhaka, Bangladesh, 2018


EYES ALWAYS LIE

by Silvia Viana
Spain, 2018


TAKE A BREAK ZOË

by Maisie Broadhead, courtesy of Paintings in Hospitals
UK, 2020


ALPHA WOMAN I

by Nifesah Mehru Nisa
Pakistan, 2021




HORMONE CAKE

by Chiara Luxardo
Lincolnshire, United Kingdom, 2020




GLAMOUR

by Sofie Lovelady
Kelowna, Canada, 2022




TRAVERSING

by Shivangi Ladha
UK, 2022




KEYS TO PARADISE

by Angelina Bogdanova
Russian Federation, Moscow, 2022

HOSPITAL UNDER DEVASTATING FLOOD WATER

by Ziaul Huque, Bangladesh, 2021



"TOPSHOP"

by Vanessa Fairfax-Woods
UK, 2021




SOCIAL

by Juliana Gonçalves
Brazil, 2021




FISHING BY WOMEN

by Abhraneel Chakraborty
Canning, India, 2022




THE UNEVEN BURDEN OF WATER

by Sudip Maiti
India, 2019




THE PRIVATE IS POLITICAL

by Silvia Viana
Spain, 2023


RED

by Violet Costello
Calgary, Alberta Canada, 2022



WITHER

by Manjari Dutta
Nepal, 2023



A BLURRED RED SPOT

by Silvia Alessi
Afghanistan, 2023



A CONFLICT OF INTERESTS

by Lauren McLaughlin
Scotland, 2023




HYSTERIA OR MISOGYNY?

by Luanne Otero
Salinas, Puerto Rico, 2020




LIVING OBJECT

by Nandita Basak
India, 2022




IT'S NOT A MOVIE. STAND UP!

by Gaia Giongo
Milan, Italy, 2023




A MAN'S WORLD

by Seldjan Behari
Liverpool, UK, 2022




ANOTHER [AB]NORMAL DAY

by Vitória Gonçalves Morão
Porto Velho city, Rondonia State, Brazil Country, 2019



THE RIGHT TO PLAY

by Lee-Ann Olwage
Kenya, 2022




THE GIRL'S GAME OF LIFE

by Mary Rouncefield
UK, 2019




THE URBAN OUTING

by Mithail Afrige Chowdhury
Bangladesh, 2023